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Chords with Cactuss
The self-titled debut album, released in 1999 from His Master's Voice, became a rage with a touch of blues and psychedelic rock. With numbers like Brishti, oooh Ma! and Icchamati this album portrayed psychedelia in Bengali music for the first time. Halud Pakhi, on the other hand, created a long-lasting sensation in the contemporary Bengali music scene, with its nostalgic feel perfectly complemented by Shudhu Tumi Ele Na and Amra Bhishon Eka, which enhanced the overall mood of the album.[8] They tasted some success when their first self-titled album was released in 1999 by His Master's Voice
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A day with Satyajit Ray would likely involve a blend of intellectual pursuits, creative endeavors, and a touch of quiet contemplation. He was known for his meticulous approach to filmmaking, his love for literature and music, and his sharp intellect. One might imagine him immersed in scriptwriting, perhaps with a Bengali novel on hand, or spending time with his team, meticulously planning shots and reviewing footage. He also valued human connection, as evidenced by his approachable nature and willingness to engage in discussions about literature, cinema, and art